Here we go

All band: Me, myself, I and Heikki (the bass player gets a job), we´ll take some gigs sometimes in clubs and other good places.
We ´re playing, `couse we like it. The subscription from here.
(Next gig 29.6.2011 - Get your ass at K-Klubi)
Next gig: 28.7 - Hiili, Aurinkoterassi). My regards.
Get your ass at Resistori-Klubi: Next gig: 29.9.2011 .. .. !
Next gig 1.5 at Kuopio Market Square at 14.00.
Next gig playing for Save the Rupla, 28.7.12 at Piispanpuisto (at Bishop´s Park of Kuopio).
Now: I´m gonna present some of my texts in three languages  with simple accompaniment at next TEXTfirst night.
Get your ass at Henry´s pub  15.1.2013 at 22h, for my please,..and the new gig: April 16nd.
I will get my ass and quitar to Lekkeri 13.4.2013 @ Helmi's birthday party with streetpunk.
the next time you will see me in Kuopio will be 26th May 2013. there comes a gig ... at Pushkin's statue to start at 12:00.
Next gig playing for Save the Rupla, 23th November 2013 at Rupla. Starts at 14:00 -> Get your ass on there where occurs!
Nästa min spelning ska finnas på Nykterhetshuset 2014/12/04 (kl 11:00) i Kuopio. Hör du, som nya arbetarklassmusik, några bra låtar.
The Next gig will be May 1, 2014 on Kuopio Market Square's stage at 9.00.
.. and you will also see me in Kuopio on the gig-stage at the lake of Valkeinen about at fourte
en May 1, 2014.

hemmagården på onsdag, den 28:e dagen kl 21 i denna månad ->
Ro sitt röv hit och se:
The Old Union Band.
The solo-gig on the Kuopio's VR-Magazine at 8/08/2015 Saturday. There will be some kind of antifascist theme. Get your ass there at 19:00. The next gig at same place at 29/8/
den spelningen på Kuopios marknadstorget den lördag, 12 september (2015) klockan 11 framåt.
det kommer att
finnas upproret nu!
Live at BilliardCenter oct 30, 2015. The FridayBand.
scenen 6 augusti `16 på Peräniemenkasino i Kuopio.
Följande gig på scenen 12 augusti `17 vid Peräniemenkasino i Kuopio-stad.
Gig på Peräniemenkasino den 4 september 2021. Jag har startat nya soloalbumsinspelningar.

Ps. Someone did ask,
my first album The Desert Songs is sold out.
I `m sorry.
(we are working with the new material)
(Update 20.9.11: Heikki has left the band.)
Pena Tikanmäki came in on bass.
I'm making a new record..
(Update 08.7.12: ROH Band Mark II works)
(Update 30.3.14: The Old Union Band has been formed)
(Update 30.8.15) the newly named: Fridayband.
(Update 20.9.11: Heikki has left the band.)
Pena Tikanmäki came in on bass.
I'm making a new record (update: 15.11.2023

14 mars 2011

Chopin music recalls poem

You play for instance The Piano Concerto No. 1 in E minor, Op. 11, by Frédéric Chopin.
These soundtrack of my life and may recall to memories like some ancient tide. Maybe I´am a rock/blues man. But! (i have changed).
Is not wrong to say he was the poet of the piano.
That same sense of refinement and delicacy that we experience in listening to a sympathetic rendering of his best works is just what every one who met Chopin seems to have found to be his characteristics as a man.
He liked having fine, neat clothes; he liked flowers always in his rooms; he disliked smoking. These are details upon which we may found. Nobody knew him better than George Sand, and her description is therefore worth quoting.
Gentle, sensitive, and very lovely, he united the charm of adolescence with the suavity of a more mature age; through the want of muscular development he retained a peculiar beauty, and exceptional physiognomy, which, if we may venture so to speak, belonged to neither age nor sex. It was like the ideal creations with which the poetry of the Middle Ages adorned the Christian temples. The delicacy of his constitution rendered him interesting in the eyes of women. The full yet grateful cultivation of his mind, the sweet and captivating originality of his conversation, gained for him the attention of the most enlightened men, whilst those less highly cultivated liked him for the exquisite courtesy of his manners.
Frans Liszt who knew him well, and did much to help him forward in his early public career:
His blue eyes were more spirituals than dreamy; his bland smile never writhed into bitterness. The transparent delicacy of his complexion pleased the eye; his fair hair was soft and silky; his nose slightly aquiline; his bearing so distinguished, and his manners stamped with such high breeding, that involuntarily he was always treated like a prince. His gestures were many and graceful; the tones of his voice veiled, often stifled. His stature was low, his limbs were slight.
These quotations can help us to understand something little about the nature of the man: they show us also how intimate is the connection between what may be called the external Chopin and one can say: the internal as exhibited in his works.

Fragment: Etude in C Minor, by Chopin, op. 25, No. 12.

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