- kanava totuudenetsintään ihmisestä ja maailmasta. jäikö jotain olennaista vielä sanomatta?
- Kanal för att hitta sanningen från mannen och världen. finns det någonsin att säga?
- Seeking truth from facts.
Жизнь в глубже!
Here we go
All band: Me, myself, I and Heikki (the bass player gets a job), we´ll take some gigs sometimes in clubs and other good places.
We ´re playing, `couse we like it. The subscription from here.
(Next gig 29.6.2011 - Get your ass at K-Klubi)
Next gig: 28.7 - Hiili, Aurinkoterassi). My regards.
Get your ass at Resistori-Klubi:
Next gig: 29.9.2011 .. .. !
Next gig 1.5 at Kuopio Market Square at 14.00.
Next gig playing for Save the Rupla, 28.7.12 at Piispanpuisto (at Bishop´s Park of Kuopio).
Now: I´m gonna present some of my texts in three languages with simple accompaniment at next TEXTfirst night.
Get your ass at Henry´s pub 15.1.2013 at 22h, for my please,..and the new gig: April 16nd.
I will get my ass and quitar to Lekkeri 13.4.2013 @ Helmi's birthday party with streetpunk.
the next time you will see me in Kuopio will be 26th May 2013. there comes a gig ... at Pushkin's statue to start at 12:00.
Next gig playing for Save the Rupla, 23th November 2013 at Rupla. Starts at 14:00 -> Get your ass on there where occurs!
Nästa min spelning ska finnas på Nykterhetshuset 2014/12/04 (kl 11:00) i Kuopio. Hör du, som nya arbetarklassmusik, några bra låtar.
The Next gigwill be May 1, 2014 on Kuopio Market Square's stage at 9.00.
.. and you will also see me in Kuopio on the gig-stage at the lake of Valkeinen about at fourteen May 1, 2014.
Påhemmagården på onsdag, den 28:e dagen kl 21 i denna månad ->
Ro sitt röv hit och se: The Old Union Band.
The solo-gig on the Kuopio's VR-Magazine at 8/08/2015 Saturday. There will be some kind of antifascist theme. Get your ass there at 19:00. The next gig at same place at 29/8/
den spelningen på Kuopios marknadstorget den lördag, 12 september (2015) klockan 11 framåt.
det kommer att finnas upproret nu!
Live at BilliardCenter oct 30, 2015. The FridayBand.
På scenen 6 augusti `16 på Peräniemenkasino i Kuopio.
We ´re playing, `couse we like it. The subscription from here.
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Date Submitted: 24-Mar-97 http://www.elephant-talk.com/wiki/In_The_Court_Of_The_Crimson_King_-_Reviews
The Court of The Crimson King
By: Daniel Caccavo (danielj at interport dot net)
"It's interesting to note that aside from the coda, there is little electric guitar on this track - it's mostly acoustic guitar, piano, electric harpsichord and Mellotron. Quite an arrangement...
And who played acustic quitar on this track?
I've allways beeb thinking that is Greg.
See and hear the above! the same chords but still more difficult than what Bob Fripp played them.
King Crimson’s debut album, In the Court of the Crimson King, was unlike anything any rock group had released to that point. How did the band manage to forge such a unique style so quickly?
At that time, nearly all the British bands were using the blues or soul music — American music — as their influence. Since that well had been visited so many times, we decided we would try to use European music as our base influence, in order to be different. Robert [Fripp] and I — and Ian McDonald, for that matter — had all been schooled in European music. We understood it. We played Django Reinhardt, and we did Paganini violin exercises and so forth. Even though I loved American music, and had played it throughout my youth, it was very easy for me to adapt to using European music as the basis for new creations. I had studied that form of music.
You and Fripp also took guitar lessons from the same teacher. How big an impact did that have on how the two of you interacted, musically?
It was crucial. Robert and I grew up together, and we used to practice our lessons together. By the time King Crimson was formed, we were like two peas in a pod — like mirrors. He knew exactly what I knew and I knew exactly what he knew. We both learned the same technique of cross-picking, and we sounded very similar in some ways.
Of course, by that time I was playing bass, so people on the outside never knew the two of us had that reflective knowledge. Still, that was one very strange component of King Crimson. The other was that Ian McDonald had never been in a rock band before. He came from the military, from a military brass band. That was a bit peculiar. King Crimson was not an everyday sort of band.
http://www.gibson.com/News-Lifestyle/Features/en-us/greg-lake-talks-guitars-king-crimson-elp-0521-2012.aspx
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