Miles Davis did not create a standard "chromatic scale" exercise, but his unique style can be connects to the Lydian Chromatic Concept by George Russell and his own flowing chromatic movement and "enclosures".
Miles' Chromatic Improvisation TacticsPassing Tones and nclosures: Rather than playing a strict 12-tone chromatic scale, Miles targeted chord tones by slipping in chromatic notes just above or below the target pitch.Whole-Step & Half-Step Motion:
He often used parallel or descending chromatic lines to create tension over standard blues and bebop forms.
I'll do it same kind of music.
Picture by Irving Penn: images close-up of Davis's left hand, were used for the Tutu album's artistic packaging, designed by Eiko Ishioka, who won a Grammy for Best Album Package in 1987.


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