Here we go

All band: Me, myself, I and Heikki (the bass player gets a job), we´ll take some gigs sometimes in clubs and other good places.
We ´re playing, `couse we like it. The subscription from here.
(Next gig 29.6.2011 - Get your ass at K-Klubi)
Next gig: 28.7 - Hiili, Aurinkoterassi). My regards.
Get your ass at Resistori-Klubi: Next gig: 29.9.2011 .. .. !
Next gig 1.5 at Kuopio Market Square at 14.00.
Next gig playing for Save the Rupla, 28.7.12 at Piispanpuisto (at Bishop´s Park of Kuopio).
Now: I´m gonna present some of my texts in three languages  with simple accompaniment at next TEXTfirst night.
Get your ass at Henry´s pub  15.1.2013 at 22h, for my please,..and the new gig: April 16nd.
I will get my ass and quitar to Lekkeri 13.4.2013 @ Helmi's birthday party with streetpunk.
the next time you will see me in Kuopio will be 26th May 2013. there comes a gig ... at Pushkin's statue to start at 12:00.
Next gig playing for Save the Rupla, 23th November 2013 at Rupla. Starts at 14:00 -> Get your ass on there where occurs!
Nästa min spelning ska finnas på Nykterhetshuset 2014/12/04 (kl 11:00) i Kuopio. Hör du, som nya arbetarklassmusik, några bra låtar.
The Next gig will be May 1, 2014 on Kuopio Market Square's stage at 9.00.
.. and you will also see me in Kuopio on the gig-stage at the lake of Valkeinen about at fourte
en May 1, 2014.

hemmagården på onsdag, den 28:e dagen kl 21 i denna månad ->
Ro sitt röv hit och se:
The Old Union Band.
The solo-gig on the Kuopio's VR-Magazine at 8/08/2015 Saturday. There will be some kind of antifascist theme. Get your ass there at 19:00. The next gig at same place at 29/8/
den spelningen på Kuopios marknadstorget den lördag, 12 september (2015) klockan 11 framåt.
det kommer att
finnas upproret nu!
Live at BilliardCenter oct 30, 2015. The FridayBand.
scenen 6 augusti `16 på Peräniemenkasino i Kuopio.
Följande gig på scenen 12 augusti `17 vid Peräniemenkasino i Kuopio-stad.
Gig på Peräniemenkasino den 4 september 2021. Jag har startat nya soloalbumsinspelningar.

Ps. Someone did ask,
my first album The Desert Songs is sold out.
I `m sorry.
(we are working with the new material)
(Update 20.9.11: Heikki has left the band.)
Pena Tikanmäki came in on bass.
I'm making a new record..
(Update 08.7.12: ROH Band Mark II works)
(Update 30.3.14: The Old Union Band has been formed)
(Update 30.8.15) the newly named: Fridayband.
(Update 20.9.11: Heikki has left the band.)
Pena Tikanmäki came in on bass.
I'm making a new record (update: 15.11.2023

12 dec. 2016

RIP
Greg Lake will stay in our hearts for ever, as he has always been


2 kommentarer:

Anonym sa...

Date Submitted: 24-Mar-97 http://www.elephant-talk.com/wiki/In_The_Court_Of_The_Crimson_King_-_Reviews
The Court of The Crimson King
By: Daniel Caccavo (danielj at interport dot net)
"It's interesting to note that aside from the coda, there is little electric guitar on this track - it's mostly acoustic guitar, piano, electric harpsichord and Mellotron. Quite an arrangement...

And who played acustic quitar on this track?
I've allways beeb thinking that is Greg.
See and hear the above! the same chords but still more difficult than what Bob Fripp played them.

Anonym sa...

King Crimson’s debut album, In the Court of the Crimson King, was unlike anything any rock group had released to that point. How did the band manage to forge such a unique style so quickly?

At that time, nearly all the British bands were using the blues or soul music — American music — as their influence. Since that well had been visited so many times, we decided we would try to use European music as our base influence, in order to be different. Robert [Fripp] and I — and Ian McDonald, for that matter — had all been schooled in European music. We understood it. We played Django Reinhardt, and we did Paganini violin exercises and so forth. Even though I loved American music, and had played it throughout my youth, it was very easy for me to adapt to using European music as the basis for new creations. I had studied that form of music.

You and Fripp also took guitar lessons from the same teacher. How big an impact did that have on how the two of you interacted, musically?
It was crucial. Robert and I grew up together, and we used to practice our lessons together. By the time King Crimson was formed, we were like two peas in a pod — like mirrors. He knew exactly what I knew and I knew exactly what he knew. We both learned the same technique of cross-picking, and we sounded very similar in some ways.
Of course, by that time I was playing bass, so people on the outside never knew the two of us had that reflective knowledge. Still, that was one very strange component of King Crimson. The other was that Ian McDonald had never been in a rock band before. He came from the military, from a military brass band. That was a bit peculiar. King Crimson was not an everyday sort of band.

http://www.gibson.com/News-Lifestyle/Features/en-us/greg-lake-talks-guitars-king-crimson-elp-0521-2012.aspx