At the heart of each
Werner Herzog film is a mystery, not because information is arbitrarily withheld, but because every Herzog film is a record of the director's questions and speculations about his subject — which is, I suspect, why he chooses to do the films he does, asked the
New York Times.
Not an american, not to be a little bourgeois, and he works against it, will try to show the double moral-standards of the world true essence, like also
Lars von Trier, lately.
Also
Teemu Mäki who are now controlling this
Georg Büchner´s play of the same, doing the same.
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